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Kathy Acker: Get Rid of Meaning
Kathy Acker: Get Rid of Meaning
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Get Rid of Meaning is the first comprehensive publication to synthesize art and literary perspectives on Acker’s work. It shows Acker’s own visual sensibility in her cut-up notebooks and her use of mail-art idioms, and orients her emergence within the 1970s art scenes in New York and California populated by Eleanor Antin, Lynn Hershman Leeson and Constance DeJong, among others—artists who made innovations in performance, of which Acker would make use.
Also included is previously unpublished material from Acker’s personal archive and other collections, including correspondence, her library and various personal effects.
Contributors include: Kathy Acker, Dodie Bellamy, Hanjo Berressem, Ruth Buchanan, Anja Casser, Georgina Colby, Leslie Dick, Claire Finch, Johnny Golding, Anja Kirschner, Chris Kraus, Sylvère Lotringer, Douglas A. Martin, Jason McBride, Karolin Meunier and Kerstin Stakemeier, Avital Ronell, Daniel Schulz, Matias Viegener and McKenzie Wark.
Also included is previously unpublished material from Acker’s personal archive and other collections, including correspondence, her library and various personal effects.
Contributors include: Kathy Acker, Dodie Bellamy, Hanjo Berressem, Ruth Buchanan, Anja Casser, Georgina Colby, Leslie Dick, Claire Finch, Johnny Golding, Anja Kirschner, Chris Kraus, Sylvère Lotringer, Douglas A. Martin, Jason McBride, Karolin Meunier and Kerstin Stakemeier, Avital Ronell, Daniel Schulz, Matias Viegener and McKenzie Wark.
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